Thursday, March 19, 2026

Marshals (S1, Ep. 3) "Road to Nowhere"

 




In Montana, a badge is often just a silver target. As Kayce navigates between his family’s ranch and the Broken Rock Reservation, a new enemy emerges, showing that the 'Road to Nowhere' is paved with Dutton blood. Here's my recap and review.

CIA (S1, Ep. 4) "Forced Labor"



In high-stakes espionage, leads chase satellites and codes, but this week, the CIA shifted focus to combat a human trafficking ring, showing that the greatest enemies aren't always state actors but those preying on the vulnerable. Here’s my review of 'Forced Labor.'

Wednesday, March 18, 2026

St. Denis Medical (S2, Ep. 14-15) "Happy Birthday, Matty"/"Everybody Loves Portland General"


The St. Denis staff make birthdays unforgettable, turning patient intake into lively events. This week, we moved from ER halls to the vibrant 'Laser Lounge' to celebrate Portland General's excellence. Despite challenges, the team remains dedicated and fun-loving. Here's my recap of 'Happy Birthday, Matty' and 'Everyone Loves Portland General.'

FBI (S8, Ep. 14) "Forgiven"


They say the first arrest is unforgettable, but for Maggie Bell, it threatens her family. In an hour that exposes her raw emotions, FBI delivers a blow that fans will remember long after. Here's my recap and review.

DMV (S1, Ep. 13) "Test Drive"




Does the world really need another Vic? That is the existential question at the heart of this week's episode. From teaching apathetic teens the "rules of the road" to a Hollywood-style marketing makeover, the East Hollywood branch was anything but boring. Here's my recap and review.

Tuesday, March 17, 2026

A Perfect St. Patrick’s Day Binge – Finally Watching Derry Girls




Looking for something to watch this St. Patrick’s Day? I finally hit play this month on Derry Girls and let’s just say I’ve never been happier to be late to the party.

Monday, March 16, 2026

TV Corner Notes: New Beginnings in Montana and Farewells in Derry

 


This week’s TV Corner Notes takes us from the quiet grief of Montana’s wide-open spaces to the chaotic laughter echoing off the walls of 1990s Derry. One show explores loss, reinvention, and the emotional weight of starting over, while the other reminds us that sometimes the best way to face history is with a group of teenagers causing absolute mayhem.